The Sylvester Stallone vehicle Rambo III (1988), is both a superficial commentary on the failure of war to resolve differences and a surreal interpretation of American exceptionalism through the actions of the individual. Although set in Afghanistan, with the hero besting a Russian army, the film was shot in the Israeli desert, with the involvement of the country’s military. Filmmaker Daniel Mann employs a variety of approaches to unpack what was to most audiences a brainless shoot ‘em-up, but to Mann is a work of many meanings.

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